violent collision.
REPORTER 4: The Al Qaeda is thought
to have been behind the bombing.
A team of F.B.I. Agents prepare
to investigate the attack in Saudi Arabia.
FEMALE NARRATOR 3: The latest
terrorist attacks showcase the great division
between the pro-U.S. Monarchy
and the extremist Wahhabi militants
within the kingdom.
(MUSIC PLAYING ON RADIO)
WOMAN: Yeah, come on! Come on!
PLAYER 1: Here we
Violent?
No.
Even though she knew how
to handle a switch or a belt.
Oh, no!
They came from the "spare the rod,
spoil the child" philosophy.
What?
I owe all my creativity to her.
If my childhood was easy,
Id have nothing to write about.
"The daughter of a tap-dancing,
child-abuser of a mother...
...and a distant,
emotionally absent fath..."
Oh, shit! Oh, shit, Connor!
- God, this is a disaster.
-
violently kicks in the door --
The other cops pour in behind him, guns thrust before
them.
BIG COP
Police! Freeze!
The room is almost devoid of furniture. There is a fold-
up table and chair with a phone, a modem, and a Powerbook
computer. The only light in the room is the glow of the
computer.
Sitting there, her hands still on the keyboard, is
TRINITY; a woman in black leather.
BIG COP
Hands beh
flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.
모모As
HUMAN SECURITY NOW
Commission on Human Security
translated and summarized by
team nine, dept. of political science and international relations, KU
Chapter 1. Human security now
Chapter 2. People caught in violent conflict
Chapter 3. People on the move
Chapter 4. Recovering from violent conflict
Chapter 5. Economic security - the power to choose among opportunities
Chapter 6. Better health for hum
flow
towards the man. It enters his body, crawling under his skin from his
feet on up to his eyes. The man starts to moan and cry out in pain
as the camera pans upwards leaving us in darkness.)
??
NORTH TEXAS, PRESENT DAY
(The darkness is now the view from underneath a boy, Stevie, as he
falls through the earth, landing in an underground cavern. His three
friends look down upon him.)
KID 1: Hey,
a
swarm of angry bees against a spectacular backdrop of cumulous cloud
rising in towering columns.
Close in, its stomach churning, noisy and violent as terrified pilots
throw their planes around the sky in a desperate attempt to blast
bullets into each other. You may have seen movie dogfights before, but
you havent seen one like this!
JACK wrenches the control stick, sending his Camel through a
violent bump from
behind, spilling milk all over his uniform and splattering
the book.
DUFOUR
Oh, goodness, my dear Bonaparte -- I
am clumsy. Oh, and look at your
book!
Napoleon hurls the tin cup, with all his strength, at
Dufour, hitting him squarely on the forehead, with a
resonant pon-nnng! Napoleon leaps on Bremond, and the two
boys go down in a tangle of bread, jam and milk.
INT. MILITARY TA
as their
voices echo in the sky.
THE CHILDREN (contd)
Seven eight, gonna stay up late...
Jacob takes his hands away from his face and starts to
frantically pull on his seat belt. SNAP - it flies off his
back and miraculously turns into a PARACHUTE. Rope swirls
into the air - the wind grabs the canvas - and Jacobs body
slows with a violent jerk.
But at least hes not falling anymore. Jacob
flows out of a deep gash in
her wrist and pools on the floor. The CAMERA moves up the arm.
A WOMAN in her forties lays in bed. The blood flows from her
other wrist, soaking into the mattress. Her eyes are closed,
head titled away from him.
The Boy shows no sign of emotion. He walks over to the
nightstand and starts to open her purse. There is a MOAN from
the WOMAN as she opens her eyes and turns